Minggu, 31 Januari 2010

[H359.Ebook] Free PDF Simple Minds live: In the city of light, by Simple Minds

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Simple Minds live: In the city of light, by Simple Minds

Sheet music book.

  • Sales Rank: #16199946 in Books
  • Published on: 1987
  • Format: Import
  • Binding: Sheet music
  • 51 pages

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[X460.Ebook] Fee Download Diabetes Meals for Good Health: Includes Complete Meal Plans and 100 Recipes, by Karen Graham

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Diabetes Meals for Good Health: Includes Complete Meal Plans and 100 Recipes, by Karen Graham

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Diabetes Meals for Good Health: Includes Complete Meal Plans and 100 Recipes, by Karen Graham

Healthy meal ideas and guidance for managing diabetes, losing weight and keeping the heart healthy.

Managing portion sizes and carefully planning healthful meals are key to successful diabetes management. Diabetes Meals for Good Health guides the reader in choosing meals and snacks, reducing portions, and controlling carbohydrates, with the goal of bringing down blood sugars and losing unneeded extra pounds.

Karen Graham provides all the tools needed, offering detailed information on choosing the correct personal meal plan. The low-fat, high-fiber meals include lots of grain, fruits and vegetables. The meal plans range from 1,200 to 2,200 calories per day. The goal of managing both diabetes and weight can be achieved while eating favorite foods in moderation.

Easy-to-follow plans are broken down into breakfast, lunch, dinner and snack meals. As a bonus, life-size color photographs provide an easy way of ensuring correct portion sizes.

Each recipe contains a nutritional breakdown according to the portion size as well as Exchange Lists for Meal Planning� and the caloric breakdown.

A small sampling of the meal ideas:

  • Breakfast meals include egg and toast; pancakes and bacon; muffin and yogurt; raisin toast and cheese
  • Lunch meals feature toasted cheese and tomato sandwich; French onion soup; cold plate with soup
  • Delicious dinner meals include baked chicken and potato; spaghetti and meat sauce; roast turkey dinner; Chinese stir fry; roti with curried filling.

Best of all, the terrific recipes can enjoyed by everyone, not just by those managing diabetes.

  • Sales Rank: #1388054 in Books
  • Brand: Brand: Robert Rose
  • Published on: 2008-09-26
  • Original language: English
  • Number of items: 1
  • Dimensions: .66" h x 8.56" w x 10.78" l, 2.05 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Used Book in Good Condition

Review
The dishes all use commonly available ingredients, are low in fat, sugar and slat, and many can be frozen. (Barb Berggoetz IndyStar.com 2008-11-04)

About the Author

Karen Graham is a registered dietitian and Certified Diabetes Educator. For the past 20 years she has been a nutrition counselor and has specialized in helping people lose weight and in preventing and treating diabetes.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Lots of pictures.
By ReadnGin
This book was not very informational. It has lots of pictures and sums up the calories, carbs etc. for the meal shown.

4 of 5 people found the following review helpful.
Portion Control
By janc
I love this book. What a great way for the entire family to eat the same meal with the recipe broken down for large and small portions.

1 of 1 people found the following review helpful.
Please Don't waste your money
By Kathy
Please don't waste your money on this book if you need a Diabetic Diet. This book will be no help at all. Just regular reciepes with the list of carbs - calories - ect. That is not what I needed. I needed good ideas to help keep my sugar under control. For example the bran muffin reciepe calls for 1/4 c packed brown sugar AND 1/4 c molasses or honey. How is that a Diabetic reciepe? This book also suggest you eat boxed mac & cheese and frozen french fries? Several of the deserts call for sugar?

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Sabtu, 30 Januari 2010

[J530.Ebook] Free Ebook Warnings of Gales, by Annie Sanders

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Warnings of Gales, by Annie Sanders

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Warnings of Gales, by Annie Sanders

Three women rent a holiday house in Cornwall for the summer. Each brings with her children, baggage (in every sense), and expectations, in this sparkling follow-up to Goodbye, Jimmy Choo. There's control freak Imogen; fluffy and easygoing Sophie; and Jo, a friend of Sophie's who was roped in at the last minute when the first choice of housemate pulled out. A sardonic East London GP, all she really wants to do is put her feet up. Can these three polar opposites ever get along?

There's friction over domestic trivia from the outset, and it can only get worse as the weather closes in. Then Imogen and Sophie's husbands arrive for the weekend. Oh dear - a shared holiday seemed such a good idea back in January....

  • Sales Rank: #55787 in Audible
  • Published on: 2012-12-11
  • Format: Unabridged
  • Original language: English
  • Number of items: 1
  • Running time: 681 minutes

Most helpful customer reviews

2 of 2 people found the following review helpful.
Definitely not as good as Goodbye Jimmy Choo
By C. P. Walker
I bought Warnings of Gales expecting it to be just as good as, if not better than, Goodbye Jimmy Choo. I absolutely loved Goodbye Jimmy Choo! Unfortunately, I was very disappointed. I read the entire book waiting for something to happen. It never did. This book is about three very different women at the beach--period. I read a lot of British chick lit, however; this is very British. I would pass on this novel.

0 of 0 people found the following review helpful.
content was ok, formatting was terrible
By Linny
I read this on my Kindle and the formatting distracted what might have been an otherwise fun, easy read. The story was predictable. There wasn't much character development. I didn't particularly care about any of them. There were a lot of gaps in the story as well as the formatting. I couldn't tell if actual content was missing or if the story was just choppy.

0 of 0 people found the following review helpful.
another fantastic read by Annie sanders
By Milly
Terrific characters another trio of women bonding in unlikely circumstances. I read it cover to cover without stopping - highly recommended for Annie Sanders fans.

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Senin, 25 Januari 2010

[F224.Ebook] Ebook The Addiction Treatment Planner (PracticePlanners), by Robert R. Perkinson

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The Addiction Treatment Planner, Third Edition provides all the elements necessary to quickly and easily develop formal treatment plans that satisfy the demands of HMOs, managed care companies, third-party payors, and state and federal review agencies.

  • This Third Edition includes new language for evidence-based care that fits mandates set forth by the American Society of Addiction Medicine (ASAM), which are being adopted by most state accrediting bodies
  • New chapters cover chronic pain, dangerousness/lethality, opioid dependence, and self-care
  • Saves you hours of time-consuming paperwork, yet offers the freedom to develop customized treatment plans
  • Organized around 42 main presenting problems, including chemical and nonchemical addictions such as substance abuse, eating disorders, schizoid traits, and others
  • Over 1,000 well-crafted, clear statements describe the behavioral manifestations of each relational problem, long-term goals, short-term objectives, and clinically tested treatment options
  • Easy-to-use reference format helps locate treatment plan components by behavioral problem or DSM-IV-TR diagnosis
  • Includes a sample treatment plan that conforms to the requirements of most third-party payors and accrediting agencies (including HCFA, JCAHO, and NCQA)

  • Sales Rank: #1058402 in Books
  • Published on: 2005-10-28
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.12" h x .89" w x 7.05" l,
  • Binding: Paperback
  • 360 pages

From the Back Cover
The Addiction Treatment Planner, Third Edition provides all the elements necessary to quickly and easily develop formal treatment plans that satisfy the demands of HMOs, managed care companies, third-party payors, and state and federal review agencies.

  • This Third Edition includes new language for evidence-based care that fits mandates set forth by the American Society of Addiction Medicine (ASAM), which are being adopted by most state accrediting bodies
  • New chapters cover chronic pain, dangerousness/lethality, opioid dependence, and self-care
  • Saves you hours of time-consuming paperwork, yet offers the freedom to develop customized treatment plans
  • Organized around 42 main presenting problems, including chemical and nonchemical addictions such as substance abuse, eating disorders, schizoid traits, and others
  • Over 1,000 well-crafted, clear statements describe the behavioral manifestations of each relational problem, long-term goals, short-term objectives, and clinically tested treatment options
  • Easy-to-use reference format helps locate treatment plan components by behavioral problem or DSM-IV-TR® diagnosis
  • Includes a sample treatment plan that conforms to the requirements of most third-party payors and accrediting agencies (including HCFA, JCAHO, and NCQA)

About the Author
ARTHUR E. JONGSMA, Jr., PhD, is Series Editor for the bestselling PracticePlanners®. Since 1971, he has provided professional mental health services to both inpatient and outpatient clients. He managed a group private practice for twenty-five years and is now a staff member at Life Guidance Services in Grand Rapids, Michigan.

ROBERT R. PERKINSON, PhD, resides in Canton, South Dakota. He is Clinical Director of the Keystone Treatment Center in South Dakota and author of Treating Alcoholism: Helping Your Clients Find the Road to Recovery (Wiley).

Most helpful customer reviews

1 of 1 people found the following review helpful.
WRONG TEXT, OLD EDITION
By a reader...
This Kindle, or ebook edition, is an old edition. The one that you want is the 3rd edition Progress Notes Planner which matches with the 4th edition of the Complete Adult Psychotherapy Treatment Planner. Otherwise, you're wasting your hard earned money (and quite a bit of it considering the cost of books generally and especially ebooks, given their lack of production, printing, and transport costs). Strange that whoever handles these things between the companies would make this error.

0 of 0 people found the following review helpful.
Great purchase
By Debmun1215
This book was great in both treatment planning and homework assignments. It helped my clients to think outside the box and relate more to themselves and how they can make better choices and choose better coping skills as well.

0 of 0 people found the following review helpful.
Addiction treatment plans
By Sandra Dee
Examples of different treatment plans

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Sabtu, 23 Januari 2010

[M439.Ebook] Get Free Ebook NAUGHTY NIGHTS IN THE MILLIONAIRE'S MANSION (Harlequin comics), by Robyn Grady

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NAUGHTY NIGHTS IN THE MILLIONAIRE'S MANSION (Harlequin comics), by Robyn Grady

When a well-dressed handsome man approaches Vanessa at the entrance of her pet shop, and propositions her, she immediately falls under the man’s charms. However, he will soon be president of the company she works for, and she is conflicted about whether to mix business with love. While she attempts to hold back her feelings, the man suddenly springs a kiss on her! Just what is in store for Vanessa and her pet shop?

  • Sales Rank: #1132802 in eBooks
  • Published on: 2015-05-29
  • Released on: 2015-05-29
  • Format: Kindle eBook

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4 of 4 people found the following review helpful.
Charming, sweet and sensual
By Marilyn Shoemaker
Mitch Stewart learned well from his father, about honour, respect and taking care of his family. He's extremely successful in business as the President of an investment firm which leaves little time for relaxation so he decides to get a pet fish which he names Kamikaze. For Mitch, meeting the owner of the pet shop is quite an experience and the attraction between is immediate. He soon learns that being a pet owner has it challenges as the fish won't stay in his bowl, so he finds the business card and calls the owner Vanessa requesting a house call.

Vanessa Craig is sweet, lovely and has two problems. The day that Mitch Stuart entered her pet shop she had never seen a man quite like him and even though she's attracted to him, she immediately knows that he is out of her league. She has a lot on her mind, she is in desperate need of a business loan or she'll loose her shop. When Mitch calls her to make a house call because his fish keeps leaping out of its bowl, she obliges him and then things change for several reasons. Vanessa shares her personal financial information and a kiss which should have not happened. Their attraction for each other is breathtaking and even though they both fight it life becomes very complicated. It becomes complicated for several reasons as Mitch steps in with a personal loan & it hurts Vanessa in the end when she learns the truth. On top of everything, she meets his mother who definitely does not approve of her and she falls head over heels for Mitch. As far as his feelings everything he does, it's for Vanessa....the loan and he also faces the possibility of loosing a promised promotion.

Robyn Grady has written one of the sweetest and romantic love story in Naughty Nights in the Millionaire's Mansion. Both characters had so much depth and so much love to give each other you won't want to miss out on reading Vanessa and Mitch's story. Their journey is not only sweet due to Mitch's constant attention and belief in Vanessa; it's basically prince charming coming to the rescue. Vanessa's determination to walk away because she knew she wouldn't fit in with his lifestyle, pure sacrifice for the man she adored.

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Sabtu, 16 Januari 2010

[N810.Ebook] Free PDF A Visual Approach to SPSS for Windows: A Guide to SPSS 17.0 (2nd Edition)

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A Visual Approach to SPSS for Windows: A Guide to SPSS 17.0 (2nd Edition)

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  • Published on: 1600
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Minggu, 03 Januari 2010

[J663.Ebook] Download PDF The Making of Urban Japan: Cities and Planning from Edo to the Twenty First Century (Nissan Institute/Routledge Japanese Studies), by Andr

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The Making of Urban Japan: Cities and Planning from Edo to the Twenty First Century (Nissan Institute/Routledge Japanese Studies), by Andr



The Making of Urban Japan: Cities and Planning from Edo to the Twenty First Century (Nissan Institute/Routledge Japanese Studies), by Andr

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The Making of Urban Japan: Cities and Planning from Edo to the Twenty First Century (Nissan Institute/Routledge Japanese Studies), by Andr

During the twentieth century, Japan was transformed from a poor, primarily rural country into one of the world's largest industrial powers and most highly urbanised countries. Interestingly, while Japanese governments and planners borrowed carefully from the planning ideas and methods of many other countries, Japanese urban planning, urban governance and cities developed very differently from those of other developed countries. Japan's distinctive patterns of urbanisation are partly a product of the highly developed urban system, urban traditions and material culture of the pre-modern period, which remained influential until well after the Pacific War. A second key influence has been the dominance of central government in urban affairs, and its consistent prioritisation of economic growth over the public welfare or urban quality of life. Andr� Sorensen examines Japan's urban trajectory from the mid-nineteenth century to the present, paying particular attention to the weak development of Japanese civil society, local governments, and land development and planning regulations.

  • Sales Rank: #1353935 in Books
  • Published on: 2004-10-30
  • Released on: 2004-07-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .91" w x 8.50" l, 1.50 pounds
  • Binding: Paperback
  • 404 pages

Review
'Meticulously researched and impressively presented ... a tremendous resource for the serious scholar.' - Geographical Association

'This book should establish itself as the first port of call for both students and scholars embarking on a study of Japanese urbanism and planning history ... a highly sophisticated work' - Environment and Planning/Government & Policy

Most helpful customer reviews

5 of 5 people found the following review helpful.
great book for people with a serious interest in Tokyo
By A Customer
Sorensen's book is a wonderful overview of the history of Tokyo (and Edo before it), from the point of view of the geographical and physical structure of the city and its development over time. The book should be read by anyone with a serious interest in the planning, architecture, or social history of Tokyo. Well illustrated with maps and plans many of which are not, to my knowledge, readily available to an English language audience elsewhere.

7 of 10 people found the following review helpful.
A note from the author
By Andre Sorensen
I feel a bit outrageous in assigning my own book five stars, but what can I say, I'm biased!

I am really just writing this note to let potential readers know that my book is winner of the International Planning History Society book award for best single-author book in planning history 2000-2003, awarded at the IPHS conference in Barcelona in July. For me, that is just about the best possible affirmation of the value of the book.

I am also pleased to inform you that a new paperback edition was released during May of 2004. I have included below three excerpts from recent reviews in relevant journals.

Best wishes,

Andre Sorensen

Reviews:

`Andre Sorensen has written a very important book. More than any English language study now available, it unlocks a major puzzle in understanding modern Japan - why has a country that has excelled at industry and efficiency in its economy (and transport systems) failed so miserably in providing a high urban quality of life for its citizens? ... A very well written work'-

Urban Studies

`Meticulously researched and impressively presented ... a tremendous resource for the serious scholar.' -

Geographical Association

`This book should establish itself as the first port of call for both students and scholars embarking on a study of Japanese urbanism and planning history ... a highly sophisticated work'-

Environment and Planning/Government & Policy

1 of 1 people found the following review helpful.
Interesting Enough
By Ty
One of the most detailed and interesting books of its genre. Well worth the read if you're into it. But I would guess most people buying this kind of stuff are students in Uni.

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[C192.Ebook] Download Ebook The Collaboration: Hollywood's Pact with Hitler, by Ben Urwand

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The Collaboration: Hollywood's Pact with Hitler, by Ben Urwand

To continue doing business in Germany after Hitler's ascent to power, Hollywood studios agreed not to make films that attacked the Nazis or condemned Germany's persecution of Jews. Ben Urwand reveals this bargain for the first time--a "collaboration" (Zusammenarbeit) that drew in a cast of characters ranging from notorious German political leaders such as Goebbels to Hollywood icons such as Louis B. Mayer.

At the center of Urwand's story is Hitler himself, who was obsessed with movies and recognized their power to shape public opinion. In December 1930, his Party rioted against the Berlin screening of All Quiet on the Western Front, which led to a chain of unfortunate events and decisions. Fearful of losing access to the German market, all of the Hollywood studios started making concessions to the German government, and when Hitler came to power in January 1933, the studios--many of which were headed by Jews--began dealing with his representatives directly.

Urwand shows that the arrangement remained in place through the 1930s, as Hollywood studios met regularly with the German consul in Los Angeles and changed or canceled movies according to his wishes. Paramount and Fox invested profits made from the German market in German newsreels, while MGM financed the production of German armaments. Painstakingly marshaling previously unexamined archival evidence, The Collaboration raises the curtain on a hidden episode in Hollywood--and American--history.

  • Sales Rank: #483042 in Books
  • Brand: Brand: Belknap Press
  • Published on: 2013-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 7.00" w x 1.25" l, 1.44 pounds
  • Binding: Hardcover
  • 336 pages
Features
  • Used Book in Good Condition

From Bookforum
In order to build his case, and to expose what he sees as not merely greed, cowardice, and opportunism on the part of movie moguls but outright collaboration with Nazi officials, Urwand marshals his evidence with the zeal of a criminal prosecutor. What begins, innocently enough, as an attempt to reveal “the complex web of interactions between the American studios and the German government of the 1930’s” very quickly becomes a matter of defending, as best he can, his claim about the vast extent to which Los Angeles- based German consul Georg Gyssling censored American movies and controlled their leading producers. —Noah Isenberg

Review
A tremendous piece of work, fully sustained, building momentum charged by thrillingly detailed storytelling, increasing suspense, and a consistent movement from outrages to atrocities, with a stunning conclusion of heroism and tragedy--and it is as well a devastating RIP to what we've been told, all down these years, about 'the genius of the system.' (Greil Marcus)

Full of startling and surprising revelations, presented in exemplary fashion, without any moralizing or sensationalism. The Collaboration shows how Hollywood and especially the big studios went along with German demands to censor movies not only before but especially after the Nazi seizure of power. (Richard J. Evans)

Urwand...presents explosive new evidence about the shocking extent of the partnership between the Nazis and major Hollywood producers...[A] riveting book...As you turn its pages you realize with dismay that collaboration is the only fitting word for the relationship between Hitler and Hollywood in the 1930s. Using new archival discoveries, Urwand alleges that some of the Hollywood studio heads, nearly all of whom were Jewish, cast their lot with Hitler almost from the moment he took power, and that they did so eagerly--not reluctantly. What they wanted was access to German audiences. What Hitler wanted was the ability to shape the content of Hollywood movies--and he got it...What is shocking and new about Urwand's account is its blow-by-blow description of Hollywood executives tailoring their product to meet the demands of the Nazi regime. (David Mikics Tablet Magazine 2013-06-10)

Urwand draws on a wealth of previously uncited documents to argue that Hollywood studios, in an effort to protect the German market for their movies, not only acquiesced to Nazi censorship but also actively and enthusiastically cooperated with that regime's global propaganda effort. (Jennifer Schuessler New York Times 2013-06-25)

Urwand keeps the jaw-dropping revelations coming in this damning indictment of the complicity of the major Hollywood studios--and their mostly Jewish heads--in the Nazis' campaign to exterminate Europe's Jews...Urwand deserves immense credit for this groundbreaking--and truly unique--take on the WWII era.
(Publishers Weekly (starred review) 2013-07-22)

Offers a keen, unsettling look at the unholy alliance Hollywood made with the Nazis, which allowed both to keep packing movie theaters in Germany up until the outbreak of war...There was pressure on the studios to censor defense of Jews in certain films and suppress films that portrayed Nazis in an unflattering light (The Mad Dog of Europe). The result of this complicated and slippery relationship, as Urwand depicts with subtlety, was the absolute disappearance from film of Nazis and Jews until the end of the decade.
(Kirkus Reviews 2013-07-15)

Urwand's book details in sometimes shocking fashion how the Hollywood film industry, including studios run by legendary Jewish film moguls such as Louis B Mayer, were willing to pre-screen their films for Nazi officials and remove content they found objectionable.
(Andy Goldberg Military.com 2013-08-04)

[Urwand] has revealed in terrifying detail how Hollywood was at the whim of the Nazis throughout the 1930s--censoring films and dropping others in a sinister collaboration with Hitler.
(Daily Mail 2013-07-31)

Urwand is tearing down the popular impression that the 1930s Hollywood community stood united in efforts to combat the Nazi regime. Quite the contrary, says Urwand, whose research reveals a shocking level of collaboration (or Zusammenarbeit, i.e. 'working together') between the German government and Tinseltown's studios--many of which were famously headed by Jews...The Collaboration depicts a studio system in which films were submitted for approval to aggressive German propaganda officials, who demanded cuts and changes to material deemed 'detrimental to German prestige'--not only to film versions created for the German market, but for the U.S. and countries around the world.
(Lesley M. M. Blume Vanity Fair online 2013-08-22)

Urwand's investigation of this dark chapter in the history of the American film industry is as intriguing as it is compellingly told. (Theis Duelund Los Angeles magazine 2013-09-10)

The Collaboration expertly dismantles Hollywood's rose‐tinted view of history, proving it wasn't standing up to fascism as it has claimed, but eagerly appeasing the Nazis so long as the money was coming in.
(Kyle Ryan A.V. Club 2013-09-06)

[A] provocative book.
(Rosemary Neill The Australian 2013-09-28)

Urwand's book about how Hollywood conducted business with and within Germany after Hitler's ascent to power is a fascinating examination of capitalist amorality in the face of evil. Urwand does a good job of cataloging the ways Hollywood studios--largely headed by immigrant Jewish entrepreneurs--took measures to placate the Nazis so they could continue to show films in Germany throughout the 1930s, until the Nazi invasion of Poland...Urwand has uncovered a very interesting, heretofore unknown, true Hollywood story.
(Philip Martin Arkansas Democrat-Gazette 2013-09-29)

This eminently accessible, often riveting account of a little-understood chapter in American cinema history should appeal to a wide general readership. (Roy Liebman Library Journal 2013-10-15)

[An] eye-opening study of Hollywood and the Nazi elite…The Collaboration unfolds a story that rather knocks the shine off the golden age of cinema…Urwand has done some energetic digging in the archives, quoting letters, memos and newspaper reports to uncover a shameful policy of compromise and kowtowing on the part of the studio bosses. And what lends the story its peculiar irony is that those bosses who did their utmost to appease the crazed ideology of Nazism were by and large Jews themselves. (Anthony Quinn The Guardian 2013-10-16)

Urwand…sheds new light on the way the studio bosses responded to Nazi pressure, from 1933, when Hitler assumed power, to 1941, when the United States entered the war…Drawing on American and German archival material, the author shows that Hollywood began working with the Nazis in 1933. The collaboration was not passive, but voluntary: part of a strategy necessary in order for the studios to maintain their market in Germany--which had more movie theaters than any other country in Europe…Urwand describes how the Nazis tried to shape the very content of American films--and often succeeded. (Samuel Blumenfeld Le Monde 2013-10-11)

Hard-hitting…Urwand has dug deep…and come up with some genuine revelations… The story is quite dramatic, and shameful. (Philip Kemp Times Higher Education 2013-10-24)

[The] revelations in Ben Urwand’s controversial expos�, The Collaboration, are nothing short of astonishing, going well beyond what was known about Hollywood’s timidity during that era. With damning archival evidence, Urwand argues that the studios, motivated by profits, were reluctant to abandon the German market, where American films were popular and Hitler himself was a fan…Urwand’s finely documented account is even more chilling--in large part because the ‘collaborators’ to whom he points were American, and in many cases also Jewish. (Julia M. Klein Boston Globe 2013-10-19)

Impeccably researched and impressively argued, Ben Urwand’s gripping volume systematically reveals the way major Hollywood studios were willing to protect their
financial interests in the German market by appeasing the Nazi regime. Urwand has unearthed remarkable evidence from archives in Germany and America, confirming that the road to hell was paved with a thousand concessions. Hollywood studios went to astonishing lengths not to offend or upset the Nazi regime. What began with minor adjustments to scripts eventually reached a point where projects that were unsympathetic to Germany’s past or critical of the Nazis were simply never made…The studios didn’t just follow a policy of accommodation they became willing partners with the Nazis to reach an understanding of what could be mutually beneficial to both parties. The book is such a revelation because it goes against the grain of commonly held assumptions…Urwand is particularly good at marshalling hard facts and solid evidence that builds into a horrifying indictment of studios that continued to operate in Germany throughout the first eight years of Hitler’s rule…Even as the full horrors of the Nazi regime became apparent to the world, Hollywood continued to offer the hand of collaboration, a fact all the more ironic considering that many of the studio bosses were Jewish…This is a book that challenges every rose-tinted view of Hollywood’s Golden Age. It sheds a piercing light on dark deeds and is an invaluable work of political history that has all the page-turning urgency of a thriller.

(Allan Hunter Glasgow Herald 2013-10-19)

In Urwand’s account of the relationship between the American film industry and the government of Germany in the 1930s, he shows that Hollywood studios put profits ahead of scruples in their dealings with the Nazis. (Lisa Jarvinen Philadelphia Inquirer 2013-11-03)

Urwand’s book uncovers important material about the relationship between the American film industry and the Nazi regime…Readers may or may not agree with Urwand’s conclusion about the perils of Jewish self-denial. But in highlighting it, he provides a useful reminder that scholarship on the Nazi era continues to serve as a mirror in which Jews view themselves. (Gavriel Rosemfeld Forward 2013-11-08)

With great attention to detail, Urwand describes multiple contacts between the studios and German officials, and he apparently breaks some new ground with his descriptions of Georg Gyssling, who became a Hollywood fixture after Hitler came to power in 1933. (Roger Currie Winnipeg Free Press 2013-11-23)

The Collaboration felt genuinely original and eye-opening as Ben Urwand systematically revealed the way major Hollywood studios were willing to protect their financial interest in the German market of the 1930s by appeasing the Nazi regime. The road to hell was paved by a thousand concessions. (Allan Hunter Glasgow Herald 2013-12-14)

Urwand has dug deep in the German archives and found evidence that the Nazis’ business dealings with some of the studios were much closer than previously realized. He also draws attention to the flagrant lobbying of the Nazi emissary to Hollywood. (J. Hoberman London Review of Books 2013-12-19)

A welcome addition to understanding Hollywood’s response to the rise of Nazism. (J. Fischel Choice 2014-01-01)

The book is a fascinating take on the shady politics of Hollywood and should be read by anyone interested in going behind the glamour of 1930s cinema. (Taylor Downing History Today 2014-09-01)

About the Author
Ben Urwand is a Junior Fellow of the Society of Fellows at Harvard University.

Most helpful customer reviews

74 of 89 people found the following review helpful.
Flawed analysis of its Subject
By Robert M. Fells
I have decided to revise my review here due to new information - a lot of it - that I was unaware of when I originally wrote this review. Mr. Urwand is a good writer and his book remains fascinating to read, but he seems better suited to the field of fiction rather than non-fiction.

Arthor Urwand seems to depend somewhat on the readers' benefit of hindsight - that everybody knows you can't do business with Nazis - as if this was a no-brainer to everybody in the early and mid-1930s. One of the greatest prophets of Nazi thuggery during that time was Winston Churchill, but many preferred to believe that he was an alarmist and just posturing politically. But more troubling is Urwand's flawed analyses of the few films that the studios did produce in the 1930s to highlight anti-Semitism and the Nazi threat.

THE HOUSE OF ROTHSCHILD (1934) stands as the one significant film produced by a major studio that tackled anti-Semitism and drew a distinct parallel from the 19th century time frame of its story to modern-day Nazi Germany. Urwand correctly observes that the reaction to ROTHSCHILD resulted in the studios swearing off the topic until after the Second World War. The problem is that Urwand blames the film itself for the resulting ban. The author provides an extensive review of ROTHSCHILD, even quoting the film's dialogue to make his points.

Unfortunately, he engages in selective quotes and omits a few others that would give a different impression of the narrative. For example, Urwand complains that in the film's prologue, old Meyer Rothschild is portrayed as a stereotypical Shylock character, seeking to cheat the tax collector by keeping a set of phony books and offering the taxman a bribe. Germany was delighted and used ROTHSCHILD excerpts for propaganda. But this sequence doesn't play the way Urwand depicts. Dialogue conveys that Meyer usually pays tax of 2,000 gulden but the tax collector arbitrarily imposes 20,000 gulden unless Meyer pays him a bribe. This substantially changes the viewer's impression.

I could cite more examples from ROTHSCHILD but this is a review, not a rebuttal. Suffice it to say Urwand doesn't appear to be a vintage film buff for he fails to tell his readers that the anti-Semitic character in ROTHSCHILD is played by Boris Karloff, clearly portraying a civilized type of Frankenstein monster. Likewise, Urwand calls Hollywood's first anti-Nazi film, CONFESSIONS OF A NAZI SPY (1939), a "cheesy" B picture when it was very much an A picture with an all-star A-list cast. As has been observed, everybody is entitled to their own opinion but not to their own facts. Where were the fact-checkers for Harvard University Press?

15 of 18 people found the following review helpful.
The Collaboration is a seamy insider look at how Hollywood did business with the odious Hitler regime
By C. M Mills
When I stroll through my library I see my shelves bulging with books on the Nazi era in history. And yet...I have added a new tome on a new aspect of the evil regime which ruled Germany from 1933-45 bringing death, murder and destruction to millions of people. The book is "The Collaboration" whose topic is the pact Hollywood made in the 1930s to do business with Germany. Like IBM, General Motors and other huge American corporations the Hollywood studios wanted their film product to do well overseas. Germany loved American films including Hitler. The Fuehrer watched films almost every evening enjoying everything from Mickey Mouse cartoons to King Kong to Greta Garbo costume dramas such as "Camille." Even though most of the moguls in Los Angeles were Jewish they still wanted their hand in the rich pie of German revenues.
Ben Urwand of Harvard has done study of this little reported nexus between the movies and the murderous regime in Berlin.
Much of the book deals with separate movies and how they were received in Germany. Hitler had three critical responses to film. A movie was good, bad or "switched off" (meaning that Hitler ordered the film projector to stop running the film of the evening).
The book is rich in interesting quotations. A sampling of them include:
"An important fact about Hollywood movies in this period, however, is that they were extremely popular in Nazi Germany."-p. 7
"The studio heads, who were mostly immigrant Jews, went to dramatic lengths to hold on to their investment in Germany."-p. 9
"Every night before going to bed Adolf Hitler watched a movie. He picked the title himself from a list presented to him at dinner...After the movie, he started to talk again. He quickly gave his opinion of what he had seen."-p. 10
"The members of Hitler's inner circle also knew that one of his favorite actresses was Greta Garbo."-p. 13
"The Nazis, in complete consistency with their anti-Semitic policies, were insisting that all cultural workers in Germany be of Aryan descent."-p. 62
"...the Jew, once so prominent in American culture, was suddenly nowhere to be found."-p. 80. The author shows how American filmmakers deleted Jewish characters in an effort not to cause anger at their inclusion by the Third Reich.-p. 90
"From the day Hitler became Chancellor of Germany...American movies were massively popular in the Third Reich."-p. 112
"The collaboration of American movie studios with Nazi Germany was complex and multifaceted..."-p. 147
Urwand comments on Sinclair Lewis' novel "It Can't Happen Here" a book which imagines what would happen if a Fascist dictator ruled the U.S.A.: "No author was better qualified to handle such material than Sinclair Lewis."-p. 161 The book was not made into a movie by nervous film studios who did not want to breast the German ire at material of this sort.
"When "The Mortal Storm" was released on June 14, 1940, it was without any doubt the first truly significant anti-Nazi film..it attacked the Nazis for their persecution of a minority group."-p. 217
Along the way in this fascinating work we read reviews of such films as "King Kong"; "Blond Venus"; "Casablanca" "The Lives of a Bengal Lancer"; "The Eternal Jew" (made in Germany as an attack on the Jewish people) and many more. Reading these reviews by the author can give insight into how Germany reacted to the Hollywood dream factory's films.
During World War II the American film community turned out hundreds of anti-Nazi films though kept mostly mum on the plight of the Jews in Europe.
"The Collaboration" reads like a textbook and may not interest younger readers who have little interest or knowledge of the Hollywood studio system or the film habits of a dictatorship that was destroyed in 1945. However, for us old hands at such study the book provided a few hours of pleasure.

7 of 8 people found the following review helpful.
Good Scholarship But There is Much More to the Story than Indicated by this Book
By Mark R. Jorgensen
Good scholarship as far as it goes and a useful contribution to the literature on this topic. I do not have access to the sources this book is derived from but I believe Mr. Urwand has this part of the story mostly correct -- to varying degrees the studios for a period of years did temper and self-censor film content so as not to seriously offend the Nazi regime. Why should anyone be shocked that corporations made decisions in the hope of improving their bottom lines? As an aside, neither should anyone be surprised that some German corporations in the same period engaged in self-interested conduct that the Nazi regime might not have approved.

Not covered or mentioned by the author is that some of these same studios from 1938 onward sought to insert pro-British content into their films. And starting in 1939 there were a number of significant films that were unmistakably and overtly anti-German and pro-British in tone -- by 1940 there were even more. There is now a well-established literature on this topic that goes back decades and many a thesis and dissertation has dealt with this topic.

In fact, some U.S. Senators and Representatives charged Hollywood with taking a pro-British tilt and there were U.S. Senate hearings on this matter in 1941. It was Wendell Willkie -- the Republican presidential candidate of 1940 -- who represented and defended Hollywood at these hearings.

On some points Mr. Urwand's account is at odds with that of other film historians; nevertheless I appreciate his scholarship and diligence to get this story out. So if there is any deficiency in "The Collaboration" it is that it presents a one-dimensional story -- there is much more going on in this industry and period than any one book or author can hope to encompass.

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Sabtu, 02 Januari 2010

[Z728.Ebook] Download PDF Interpreting Qualitative Data: Methods for Analysing Talk, Text and Interaction, by David Silverman

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Interpreting Qualitative Data: Methods for Analysing Talk, Text and Interaction, by David Silverman

Download PDF Interpreting Qualitative Data: Methods for Analysing Talk, Text and Interaction, by David Silverman

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Interpreting Qualitative Data: Methods for Analysing Talk, Text and Interaction, by David Silverman

This a much expanded and updated version of David Silverman's best-selling introductory textbook for the beginning qualitative researcher.

Features of the New Edition:

  • Takes account of the flood of qualitative work since the 1990s
  • All chapters have been substantially rewritten with the aim of greater clarity
  • A new chapter on Visual Images and a considerably expanded treatment of discourse analysis are provided
  • The number of student exercises has been considerably increased and are now present at the end of every chapter
  • An even greater degree of student accessibility: Key Points and Recommended Readings appear at the end of each chapter and technical terms are highlighted and appear in a Glossary
  • A more inter-disciplinary social science text which takes account of the growing interest in qualitative research outside sociology and anthropology from psychology to geography, information systems, health promotion, management and many other disciplines
  • Expanded coverage – 50% longer than the First Edition
  • Interpreting Qualitative Data – New Edition is a companion volume to Silverman's Doing Qualitative Research (Sage, 2000), which is a guide to the business of conducting a research project, together with its accompanying volume of key readings Qualitative Research: Theory Method & Practice, (Sage, 1997), which provides further more focused material that students need before contemplating their own qualitative research study.

    • Sales Rank: #1280272 in Books
    • Brand: Brand: SAGE Publications Ltd
    • Published on: 2001-03-15
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.25" h x 6.75" w x .75" l,
    • Binding: Paperback
    • 344 pages
    Features
    • Used Book in Good Condition

    Review

    "This is an elegant text on the cutting edge. David Silverman has taken the most recent developments, methodologies, and interpretive strategies in qualitative research and made them immediately accessible to the student."�

    (Norman K. Denzin)

    About the Author

    David Silverman�is Visiting Professor in the Business School, University of Technology, Sydney, Emeritus Professor in the Sociology Department, Goldsmiths’ College and Adjunct Professor in the School of Education, Queensland University of Technology. He has lived in London for most of�his life, where he attended Christ's College Finchley and did a BSc (Economics) at the London School of Economics in the 1960s. Afterwards,�he went to the USA for graduate work, obtaining an MA in the Sociology Department, University of California, Los Angeles.�He returned to LSE to write a PhD on organization theory. This was published as The Theory of Organizations in 1970.

    Apart from brief spells teaching at UCLA,�his main teaching career was at Goldsmiths College.�His three major research projects were on decision making in the Personnel Department of the Greater London Council (Organizational Work, written with Jill Jones, 1975), paediatric outpatient clinics (Communication and Medical Practice, 1987) and HIV-test counselling (Discourses of Counselling,�1997).�

    He pioneered a taught MA in Qualitative Research at Goldsmiths in 1985 and supervised around 30 successful PhD students. Since becoming Emeritus Professor in 1999,�he has�continued publishing methodology books. David regularly runs qualitative research workshops for five universities in Sydney and Brisbane.�He has also run workshops for research students in Finland, Norway, Sweden, Denmark, France, Sri Lanka and Tanzania. Since 2000, he has done voluntary work with people with dementia. resident in an old people’s home

    Besides all this, David's other interests include classical music, literary fiction, bridge, county cricket and�spending time with his�grandchildren.

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Four Stars
    By Helane M. Folske
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    [C636.Ebook] Free PDF Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing, by Anita Moorjani

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    Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing, by Anita Moorjani

    In this truly inspirational memoir, Anita Moorjani relates how, after fighting cancer for almost four years, her body began shutting down—overwhelmed by the malignant cells spreading throughout her system. As her organs failed, she entered into an extraordinary near-death experience where she realized her inherent worth . . . and the actual cause of her disease. Upon regaining consciousness, Anita found that her condition had improved so rapidly that she was released from the hospital within weeks—without a trace of cancer in her body! Within these pages, Anita recounts stories of her childhood in Hong Kong, her challenge to establish her career and find true love, as well as how she eventually ended up in that hospital bed where she defied all medical knowledge. As part of a traditional Hindu family residing in a largely Chinese and British society, Anita had been pushed and pulled by cultural and religious customs since she was a little girl. After years of struggling to forge her own path while trying to meet everyone else’s expectations, she had the realization, as a result of her epiphany on the other side, that she had the power to heal herself . . . and that there are miracles in the Universe that she’d never even imagined. In Dying to Be Me, Anita freely shares all she has learned about illness, healing, fear, “being love,” and the true magnificence of each and every human being! This is a book that definitely makes the case that we are spiritual beings having a human experience . . . and that we are all One!

    • Sales Rank: #5728 in Books
    • Published on: 2014-09-01
    • Released on: 2014-09-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.00" h x .54" w x 6.00" l, .0 pounds
    • Binding: Paperback
    • 216 pages

    Review
    "I have been deeply and profoundly touched by the contents of this book, and even more so by my personal relationship with Anita Moorjani, who came into my life through a series of Divinely orchestrated coincidences." ~ Dr. Wayne W. Dyer

    Describing her ensuing near-death experience as a realm of clarity and expansiveness, "a state of being," Moorjani made the choice to return, and her rapid and remarkable recovery defies all medical understanding.� Her psychospiritual healing, which continues to this day, was self-realization: of her own magnificence, of oneness with universal energy and with a universe comprising. This candid memoir is a cathartic testimony to the magnificence and healing capacity of every human being. (Mar. 1)- Publishers Weekly

    "This book is very thought provoking. Can we take the learnings, and make the changes, from someone else's Near Death Experience? Can I create for myself the same level of faith and knowing just by reading this book? Honestly, I don't think I can. But what I can do is open my mind that little bit more, take this book as another brick in building that wall of strength, and take her learnings with me on my own journey. I recommend that you do that same." - Rachel Bell

    "I had the pleasure of reading Anita's book after hearing her speak in Sydney, Australia at the end of January. Her NDE experience is profound. The wisdom she shares is life changing." -Cheryl Richardson

    "This book reminded me how important it is to live life from a place of passion rather than from a place of fear. No matter what challenge life gives us, it's really important to look for the gift in it.�� This book is truly amazing." - Vibrant Living with Celine

    From the Author
    Afterword
    Before I close, I'd like to leave you with a few final words. Always remember not to surrender your power--instead, get in touch with your own magnificence. When it comes to finding the right path, there's a different answer for each person. The only universal solution I have is to love yourself unconditionally and be yourself fearlessly! This is the most important lesson I learned from my NDE, and I honestly feel that if I'd always known this, I never would have gotten cancer in the first place.
    When we're true to ourselves, we become instruments of truth for the planet. Because we're all connected, we touch the lives of everyone around us, who then affect others. Our only obligation is to be the love we are and allow our answers to come from within in the way that's most appropriate for us.

    Finally, I can't stress enough how important it is to enjoy yourself and not take yourself or life too seriously. One of the biggest flaws with many traditional spiritual systems is that they give you such a somber outlook. Although you know that I abhor creating doctrines, if I ever had to create a set of tenets for a spiritual path to healing, number one on my list would be to make sure to laugh as often as possible throughout every single day--and preferably laugh at myself. This would be hands down over and above any form of prayer, meditation, chanting, or diet reform. Day-to-day problems never seem as big when viewed through a veil of humor and love.

    In this age of information technology, we're bombarded with news seemingly at the speed of light. We're living in an age of high stress and fear, and in the midst of trying to protect ourselves from everything we think is "out there," we've forgotten to enjoy ourselves and to take care of what's inside.

    Our life is our prayer. It's our gift to this universe, and the memories we leave behind when we someday exit this world will be our legacy to our loved ones. We owe it to ourselves and to everyone around us to be happy and to spread that joy around.

    If we can go through life armed with humor and the realization that we are love, we'll already be ahead of the game. Add a box of good chocolates into the mix, and we've really got a winning formula!

    I wish you joy as you realize your magnificence and express yourself fearlessly in the world.
    Namaste!

    From the Inside Flap
    Anita Moorjani was born in Singapore of Indian parents, moved to Hong Kong at the age of two, and has lived in Hong Kong most of her life. Because of her background and British education, she is multilingual and grew up speaking English, Cantonese, and an Indian dialect simultaneously; she later learned French at school. Anita had been working in the corporate world for many years before being diagnosed with cancer in April 2002. Her fascinating and moving near-death experience in early 2006 tremendously changed her perspective on life, and her work is now ingrained with the depths and insights she gained while in the other realm. As a result of her near-death experience, Anita is often invited to speak at conferences and events around the globe to share her insights. She's also a frequent guest at the University of Hong Kong's department of behavioral sciences, speaking on topics such as dealing with terminal illness, facing death, and the psychology of spiritual beliefs. She is the embodiment of the truth that we all have the inner power and wisdom to overcome even life's most adverse situations, as she's the living proof of this possibility. Anita currently lives in Hong Kong with her husband, and when she's not traveling and speaking at conferences, she works as an intercultural consultant for multinational corporations based in the city. Website: anitamoorjani.com

    Most helpful customer reviews

    630 of 651 people found the following review helpful.
    Forget other spiritual/NDE books, just buy this one
    By "Mr. T"
    Up and coming author Anita Moorjani's debut book Dying To Be Me is undoubtedly one of the most important books of 2012. It is one of the most inspiring memoirs I have ever read. In these pages Anita shares in the most touching and heart felt of ways her personal history, growing up different, the tension cultural expectations created within her and the events leading up to her getting cancer and experiencing the most magnificent of near death experiences at the time her organs began to shut down in the final hours of advanced stage Hodgkin's Lymphoma.
    During her NDE Anita awakened to a heightened state of awareness which allowed her to understand why she had cancer (among many other things) and accessed a state of unconditional loving energy that allowed her to gain full recovery of her health.

    I need not elaborate on Anita's story any further, as it can be read in her NDE account at the Near Death Experience Research Foundation website, and there are also many different interviews available online for those who are unfamiliar with her story. However, if you are looking for a clich� NDE book with tunnels, white lights, angels and God you will be disappointed. This NDE transcends all cultures and all religions.

    I would like to emphasize that despite being a book about a near death experience, it has a much broader appeal than most other NDE books and is in my opinion multi-disciplinary. It is of huge value to anyone interested in the areas of near death experiences, death, dying and bereavement, cancer, spontaneous remission, the mind-body relationship, mind-body and energy medicine, reincarnation, or to anyone who simply wishes to examine how the universe and life works in general. It even makes a compelling case for the skeptics of spiritual phenomena, as her spontaneous remission so close to death is one of a kind and medically documented and verified. In addition to Anita's wonderful message, I would hope that her views on cancer provide food for thought for oncologists around the world, and change the way the world and in particular the medical profession thinks about, views and treats cancer.

    What impresses me most about this book and about Anita's message is that her NDE pertains much more to life and living than it does to death and what we can expect in the afterlife (although this topic is also covered in the book). It helps us eliminate the clutter in our lives and to focus more on what makes us happy and brings us joy in life, as well as eliminating any existential phobias we may have stemming from the relatively unknown realm of death.

    Often spiritual books can create more existential fears and tensions rather than alleviate them with mention of concepts of sin, karma, pre-life planning of car accidents and illnesses, "soul lessons", soul levels, hell, punishment etc. These books usually have some sort of agenda to push, but luckily this is not the case with Anita Moorjani, she is a breath of fresh air, something I am eternally grateful for.

    Anita doesn't claim to be a spiritual guru, she doesn't peddle any sort of agenda as many other spiritual authors do. She has no dogma to force onto the reader. Instead she has an amazing story to tell (which she does with amazing dexterity in the English language), and shares from her NDE the many insights she gained into her own life, her own cancer and life and living in general, insights that anyone can benefit from.

    For me Anita's NDE and the insight she gained from it tremendously helped me overcome much cognitive dissonance which came from reading various New Age spiritual, self help type books, and put life into a much clearer and more logical perspective. At the same time Anita offers an outlook on life that is relatively easy to implement-DO WHAT FEELS RIGHT FOR YOU, DON'T DO WHAT DOESN'T FEEL RIGHT FOR YOU, everything else in life is secondary.

    If you are embarking on a quest for spiritual knowledge or if you have been on one for many years, don't buy 30 New Age books on soul mates, twin flames, soul lessons, law of attraction, indigo children, soul progression, karma etc, such books have little to do with the greater cosmic reality and in my opinion, for the most part, the concepts discussed in them are misconceptions at best, in other cases just plain lies. Such books can create quite a destructive and toxic belief system and can make living life more difficult and complicated than it needs to be.

    Instead, just buy this book. It will help you remove the clutter from your mind, your way of thinking and from your life as well. The biggest myth that Dying To Be Me dismisses is that being spiritual or living life needs to be hard work, that we need to work hard for a favoured position in the afterlife, that we need to suffer and make sacrifices for spiritual advancement, enlightenment and perfection (such beliefs are the foundation of all religions and New Age thought). In the absence of such ideas Anita provides us with a much lighter and fulfilling perspective on life, allowing us to become more effective at being ourselves.

    In Anita's own words "If you think you need to work hard at being spiritual then you haven't got it yet."

    Dying To Be Me is undoubtedly a ten star book, a book with universal appeal and with a message that will never lose its relevance to spirituality and to living a happy and fulfilled life.

    220 of 233 people found the following review helpful.
    An Enchanting and Spectacular Read
    By Amazon Customer
    If Anita Moorjani's book had been written two years ago, or earlier, I probably would have passed it by. But, through my own long struggle with grief and my encounter with "super normal" experiences, I've been launched onto a path of discovery for over two years now. It's been quite a circuitous route, and the very first book I read on NDEs was, thankfully, "Life After Life," written by Dr. Raymond Moody. If I had ventured into the world of the many books written about NDEs, I would have chalked off the entire phenomenon.

    Part of my journey also included finding Bob Olsen, who, as a result of his own grief process, began his mission to discover the truth behind psychic mediumship. He is now producing a wonderful on-line series of interviews called, "Afterlife TV, With Bob Olsen." One of his recent interviewees included Anita Moorjani and her interview was broadcast on December 7, 2011. There's a word the British use to describe being dumb-founded -- gobsmacked. I was completely and totally gobsmacked and in a state of awe when I heard her account of her "visit" to the other side. If that were not enough of a miracle, Anita came back into her cancer-wracked body with a new knowledge that put her into total remission. She fought cancer for four long years and was completely wasted physically, only to recover completely in a matter of weeks following her NDE.

    In both her writing style and her personal verbal accounting, Anita has a skill and dexterity with the English language that I admire and am grateful for, and even somewhat envious of. That may sound frivolous, but I have respect for people who respect me as a reading audience. Her prose descriptions of her super-real, heightened state of awareness, while she was completely unconscious in a coma, just transfixed me; like good poetry or philosophy. Her vocabulary to explain her experiences is simply the most refined, observant and sentient I have ever read. What was completely new to me was how she described the "other side" as being liminal and not really another place. It is a state of being, a feeling of magnificence, as she called it. I have taken her lessons learned to heart, myself.

    The best thing about this book is it's emotional honesty. I loved reading about her family - how supportive they were to the very effective end. I know that I'll probably read this book again many times.

    12 of 12 people found the following review helpful.
    A journey of light and breath.
    By Ong Bak
    If you want to read of an experience that may take you on a very special journey we all make...this is it.
    Easy read with an insight that few know, unless you have an near death experience or state.
    I found this book one of the best on this subject ever written.....the author Anita puts down a truth
    that pulls on your inner heart. The content is beautiful beyond word form and is instructional to lead a better life.
    How do you rate this.....it is not rate-able as clearly this is in the star itself....Anita Moorjani.
    Special Thanks Anita!!

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