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Cry, the Beloved Country, by Alan Paton
Free PDF Cry, the Beloved Country, by Alan Paton
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An Oprah Book Club selection, Cry, the Beloved Country, the most famous and important novel in South Africa’s history, was an immediate worldwide bestseller in 1948. Alan Paton’s impassioned novel about a black man’s country under white man’s law is a work of searing beauty.
Cry, the beloved country, for the unborn child that is the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing, nor give too much of his heart to a mountain or valley. For fear will rob him of all if he gives too much.
The eminent literary critic Lewis Gannett wrote, “We have had many novels from statesmen and reformers, almost all bad; many novels from poets, almost all thin. In Alan Paton’s Cry, the Beloved Country the statesman, the poet and the novelist meet in a unique harmony.”
Cry, the Beloved Country is the deeply moving story of the Zulu pastor Stephen Kumalo and his son, Absalom, set against the background of a land and a people riven by racial injustice. Remarkable for its lyricism, unforgettable for character and incident, Cry, the Beloved Country is a classic work of love and hope, courage and endurance, born of the dignity of man.
- Sales Rank: #1895 in Books
- Brand: Scribner
- Published on: 2003-11-01
- Released on: 2003-11-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .80" w x 5.25" l, .60 pounds
- Binding: Paperback
- 316 pages
Features
About the Author
Alan Paton, a native son of South Africa, was born in Pietermaritzburg, in the province of Natal, in 1903. Paton's initial career was spent teaching in schools for the sons of rich, white South Africans, But at thirty, he suffered a severe attack of enteric fever, and in the time he had to reflect upon his life, he decided that he did not want to spend his life teaching the sons of the rich. He got a job as principal of Diepkloof Reformatory, a huge prison school for delinquent black boys, on the edge of Johannesburg. He worked at Diepkloof for ten years, and at the end of it Paton felt so strongly that he needed a change, that he sold his life insurance policies to finance a prison-study trip that took him to Scandinavia, England, and the United States. It was during this time that he unexpectedly wrote his first published novel, Cry, the Beloved Country. It stands as the single most important novel in South African literature. Alan Paton died in 1988 in South Africa.
Excerpt. � Reprinted by permission. All rights reserved.
Chapter 1
There is a lovely road that runs from Ixopo into the hills. These hills are grass-covered and rolling, and they are lovely beyond any singing of it. The road climbs seven miles into them, to Carisbrooke; and from there, if there is no mist, you look down on one of the fairest valleys of Africa. About you there is grass and bracken and you may hear the forlorn crying of the titihoya, one of the birds of the veld. Below you is the valley of the Umzimkulu, on its journey from the Drakensberg to the sea; and beyond and behind the river, great hill after great hill; and beyond and behind them, the mountains of Ingeli and East Griqualand.
The grass is rich and matted, you cannot see the soil. It holds the rain and the mist, and they seep into the ground, feeding the streams in every kloof. It is well-tended, and not too many cattle feed upon it; not too many fires burn it, laying bare the soil. Stand unshod upon it, for the ground is holy, being even as it came from the Creator. Keep it, guard it, care for it, for it keeps men, guards men, cares for men. Destroy it and man is destroyed.
Where you stand the grass is rich and matted, you cannot see the soil. But the rich green hills break down. They fall to the valley below, and falling, change their nature. For they grow red and bare; they cannot hold the rain and mist, and the streams are dry in the kloofs. Too many cattle feed upon the grass, and too many fires have burned it. Stand shod upon it, for it is coarse and sharp, and the stones cut under the feet. It is not kept, or guarded, or cared for, it no longer keeps men, guards men, cares for men. The titihoya does not cry here any more.
The great red hills stand desolate, and the earth has torn away like flesh. The lightning flashes over them, the clouds pour down upon them, the dead streams come to life, full of the red blood of the earth. Down in the valleys women scratch the soil that is left, and the maize hardly reaches the height of a man. They are valleys of old men and old women, of mothers and children. The men are away, the young men and the girls are away. The soil cannot keep them any more.
Copyright (c) 1948 by Alan Paton
Review
"A beautiful novel, rich, firm and moving-its writing is so fresh, its projection of character so immediate and full, its events so compelling and its understanding so compassionate, that to read the book is to share intimately, even to the point of catharsis, in the grave human experience treated." New York Times "The greatest novel to emerge out of the tragedy of South Africa and one of the best novels of our time" The New Republic
Most helpful customer reviews
227 of 237 people found the following review helpful.
Paton's creative and writing genius comes to a fore in Cry..
By A Customer
When first published in 1948 in apartheid South Africa, Cry, the Beloved Country raised more than eyebrows as a powerful book about the power of unity and an author's unflinching hope of a future where segregation no longer exists. The book summoned feelings of pride, optimism, and anticipation of a long-desired goal. But Paton's lyrical, poetic prose is not your typical run-of-the-mill anger evoking story about discrimination. The story is a humanizing experience that evokes feelings of sympathy and understanding, not hatred for a system so blatantly wrong.
In Cry, the Beloved Country, readers feel an uncanny connection to three things: the land, an old black rural priest searching in a corrupt city for his son, and an old white rural man confronting the loss of his son. All three aspects of the book are connected by a common thread. And a great thing about the book is that Paton doesn't feel the need to build up to the emotional climax by setting the readers against a well defined antagonist, or even an antagonist at all; on a micro-scale, the story is a moving tribute to man's inherent dignity; on a macro-scale, the themes and plethora of symbols are applied to man's all-too mortal nature.
This book is also a can't-miss for any fans of poetry who want to read a good work of prose. As the New Republic puts it, Cry, the Beloved Country is "the greatest novel to emerge out of the tragedy of South Africa, and one of the best novels of our time." I would be inclined to agree.
104 of 106 people found the following review helpful.
My all-time favorite
By Frank J. Konopka
Of the (literally) thousands of books I have read in my life, this is still my favorite. I first read it as a freshman in high school (in 1960, when apartheid was still the law of South Africa), and the sheer beauty of the language took away my breath. The words were so powerful that I memorized many portions of the text, just so I would be able to repeat the words aloud whenever I wished. When JFK was assassinated in 1963, I gave a presentation to my senior English class, and began it with the section of this book that starts: "There is not much talking now, a silence falls on them all...." The class was mesmerized at Mr. Paton's eerily appropriate words, and tears were shed. I've always encouraged my own children to read and they are almost as voracious with books as their dad. Needless to say, this is one of the books I highly recommend to them, because of the excellent writing, and I highly recommend it to you for the same reason.
42 of 43 people found the following review helpful.
It's on my Top 10
By Judy K. Polhemus
How much can a man love his country? How much can he love his son? His God? Can justice prevail when man cannot? What is forgiveness? Redemption? Grace? To consider all these elements in one novel is not possible. Or is it?
"Cry, the Beloved Country" is all these things and more. It is forgiveness writ large. It is agape love in the doing. It is the story of two fathers, each with a son. One son is the victim of apartheid and is lost. The other is also a victim of apartheid but of the other side. He seeks to find a way to make things better, to make things right. The lost one kills the seeking one. One is African, the other is Afrikaaner, and therein lies the difference and the ultimate. This difference, this ultimate, this absolute are what drove Alan Paton in the writing of South Africa's most famous, most searing novel of the separation of races in all ways.
Absalom Kumalo's life is limited in all ways because he is black South African. Arthur Jarvis is an engineer and has all the privileges of white South Africa, yet he is keen on social justice and works to bring it to pass. What irony then that the one without kills the one seeking to bring justice. However, it is this very irony that brings their fathers to friendship, to a bonding of black man and white man.
Umfundisi is the black priest (not Catholic) of a simple, poor church in a village located near the home of the rich landowner and farmer, James Jarvis, who really does not know his son until he is dead. It is the getting to know his son that he connects with the African, and the father becomes the son in the ways of love and forgiveness. The umfundisi is one of my favorite characters in all literature I have read because of his humility and reverence.
This novel, published in 1948, remains as one, even today, apropos to race relations, to their very real potentials and actualities. Mutual respect, sincerity, forgiveness, and grace all come to the fore in this most magnificent, lyrical novel.
It would be on my Top 10 list of books I would take if marooned on the proverbial deserted island.
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